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Behind the Scenes: A Day in the Life of a Music Composer

Music composer playing piano

Many people imagine composers working late into the night, scribbling musical ideas onto staff paper under candlelight or improvising endlessly at a grand piano. While creativity certainly plays a central role, the reality is more structured and diverse. For professional composers, especially in genres like jazz, each day requires balancing composition, collaboration, technology, and business management. From crafting original arrangements to preparing sheet music for live performance, the modern composer wears many hats. At Bridgewater Publishing Company, we work with composers who live this rhythm daily. In this article, we take you behind the scenes to explore the real working life of a music composer and how they bring musical ideas from concept to performance.



Starting the Morning – Review, Listening, and Planning


Time: 7:00 AM – 9:30 AM

The day often begins with a quiet review of the composer’s schedule and current projects. Morning is an important time to mentally focus before the day becomes reactive.


Typical morning activities include:

  • Reviewing notes from collaborators, producers, or publishers

  • Listening to yesterday’s drafts or sketches

  • Studying reference tracks or musical scores for inspiration

  • Reading or responding to emails from musicians, ensembles, or clients



Composers may also use this time to warm up on their primary instrument—piano, trumpet, guitar, or other—especially if improvisation is part of their workflow.

“I use the early hours to let ideas flow freely without pressure,” says a Bridgewater- affiliated jazz composer. “This is when my clearest thoughts arrive.”


Late Morning – Composing and Sketching


Time: 9:30 AM – 12:30 PM

This block is often the most creatively productive part of the day. The composer dives into active writing, either for ongoing commissions, personal projects, or client requests. Depending on the assignment, the composer might be:

  • Building out a chord progression for a jazz trio

  • Writing ensemble parts for a big band arrangement

  • Syncing music to a scene for a film score

  • Revising a solo section or transcribing a recorded idea


While some composers still sketch by hand, most use digital tools like Finale, Sibelius, Logic Pro, or MuseScore for notation and playback. This allows them to hear their ideas as they work and adjust instantly.


Tools often used:

  • MIDI keyboard for input

  • Digital Audio Workstation (DAW)

  • Sheet music software

  • External reference monitors or headphones



Midday – Collaboration, Rehearsal Prep, and Feedback


Time: 1:00 PM – 3:30 PM

The afternoon is when many composers shift into collaborative and administrative work. This could involve:

  • Zoom meetings or phone calls with clients, directors, or bandleaders

  • Rehearsal prep: cleaning up scores, formatting charts, and creating individual parts

  • Sending out drafts for review and receiving feedback

  • Updating arrangement notes or making cue adjustments for live or recorded performances


Bridgewater Publishing Company assists many composers with formatting and editing, ensuring that music looks clean and professional before it reaches performers.

Pro Tip: Clear notation reduces rehearsal time and avoids performance mistakes. It’s as much a part of the composer’s job as writing the music itself.


Afternoon – Business and Rights Management


Time: 3:30 PM – 5:00 PM

Composers also run their own business. Without proper administration, music—even great music, won’t earn income or reach its audience.


Tasks may include:

  • Registering new works with ASCAP, BMI, or SESAC

  • Completing cue sheets for film/TV projects

  • Filing copyright registrations with the U.S. Copyright Office

  • Creating invoices for commissioned work

  • Uploading compositions to publishers or educational libraries


Bridgewater Publishing Company provides its composers with dedicated support in this area, helping with documentation, performance rights, and royalty tracking—allowing composers to focus on their artistry.


Early Evening – Revisions, Recording, or Live Sessions


Time: 5:00 PM – 7:30 PM

Evenings are often reserved for revision or live collaboration. If the composer works with local musicians, this may involve:

  • Recording small demo sessions

  • Running rehearsals for new arrangements

  • Conducting feedback sessions with an ensemble

  • Mixing and exporting a final audio version for a client


For those composing scores for film or television, this might also involve syncing music to picture or editing stems for post-production.


If the day’s work has gone well, this time may also be used to archive material, back up files, or create demo reels for future submissions.


Late Evening – Wind Down and Inspiration Hunting


Time: 8:00 PM – 10:00 PM

Not all composition work is hands-on. Some of the most meaningful creative breakthroughs happen when the composer steps away from the keyboard.


Common wind-down activities include:

  • Listening to jazz masters (Coltrane, Miles Davis, Mingus)

  • Reading about orchestration or theory

  • Watching films for musical inspiration

  • Journaling or drawing new composition concepts

  • Practicing an instrument without an agenda


For many, these quiet evening hours allow subconscious ideas to form and mature.


FAQs


How many hours a day do music composers work?

Most full-time composers work between 6 to 10 hours daily. The mix of composing, editing, and administration makes it a balanced but demanding schedule.

Is music composition a sustainable career?

Yes, with multiple income streams (licensing, commissions, teaching, royalties), and with support from a publisher, composers can build successful, long-term careers.

Do jazz composers compose differently than classical composers?

Yes. Jazz composers often include space for improvisation, flexible forms, and rhythmic complexity, whereas classical composers tend to score more exact details.

What makes Bridgewater Publishing unique for composers?

We combine deep jazz expertise with real administrative and publishing support. Our team understands the creative and business sides of music equally.


Are you a composer looking for structure, support, and publishing expertise?

Bridgewater Publishing Company offers comprehensive services for jazz composers and music creators at every level. From arranging and scoring to copyright protection and royalty tracking, we help you focus on what matters: creating exceptional music.


Contact us today to learn how we can help you grow your career as a professional composer.



 
 
 

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